Garner
pulled the car over and slid out into the misty urban night, blurred
like an electronic Monet print. Black pants and a wide-collar leather
coat, thigh-length. Miranda stepped towards him from the diner's
vaseline-on-the-lens window, beginning a wave hello then cutting it
short, an edit of regret. She was in wine-colored pants, flared from
the shin, a cozy cloud-cut jacket, trying to assume a casual but
intent posture.
Garner
smiled warmly, a relaxing expression, and gestured her into the
diner.
"I
thought we were just meeting here, to go..." She held the door
open for him. Garner's smile shifted into teacher-to-student
amusement, slightly patronizing. Miranda checked herself from
pouting.
Seated
at the counter, Garner ordered a coffee.
Miranda
said, "I thought we were supposed to avoid caffeine."
"Different
diets for different effects," he responded and she ordered
coffee for herself. "Don't take off your jacket," he added,
catching her in mid-motion. "We want the appearance of
concealing things."
Miranda
leaned forward. "Is this fieldwork?" The quiet excitement
in her voice. Garner smiled again.
"Not
yet. Relax."
"Don't
worry," he said. "Have patience."
She
sighed, sipped her coffee.
"Okay,"
Garner said, relenting. "Tell me about it."
Miranda
shifted on the stool, the fatigue of the young and pretty clear in
the angle of her neck.
"It's
just..." Eyes on her coffee. "There's so much
infrastructure. It's so deep and ingrained. Like we're just counting
rings in the trunk of the World Tree."
"And
you want to take an axe to it?"
"Don't
you?"
Garner
smiled again, more friendly this time. "I like you, Miranda. Not
everyone does."
She
rolled her eyes, acting upset. "Aw, now why did you have to add
that?" He chuckled, glancing at his watch, then to the woman
behind the counter, Doris by her broad pink nametag.
Doris
was moving to the small tv set, broadcasting the weather channel,
that was perched near the ceiling like a security camera. She reached
up and pressed a button, instigating a cascade of adverts, bursts of
canned laughter, news updates, stopping on a station identification.
"Pay
attention," Garner said, watching the screen. Miranda
straightened, surveying the scene, saw the other customers swivel to
face the tv.
The
show started.
"Previously
on 'Crisis'." Clips from last week's episode. Truncated scenes
of the lead, a beautiful young woman, breaking into an office,
discovering files on a computer. Meeting with an older man,
trenchcoat and briefcase, in a park. Dialogue from the man: "So
you've confirmed it, then?" From her, a tight close-up: "It's
beginning." Shots of the lead running down an alley pursued by a
car. Trapped, eyes wide in the headlights. A figure sliding out of
the driver's seat, raising a gun. Dialogue from the shadowy figure:
"We can't let you continue, Natasha. There's too much at stake."
From her, obviously scared but stalwart: "Killing me won't save
you. There's others like me." A gunshot. Fade to black.
"Tonight
on 'Crisis'."
Miranda
glanced back to the patrons, to Doris, conversation stilled, mugs on
the tables, rapt. The episode began and revealed that the shadowy
figure had been shot by a third person. A young and handsome man
stepped out from behind the car, lowering his gun. Natasha smiled and
ran forward to embrace him. "Max! I thought you were dead."
Max looked into her eyes with affection and some confusion. "I
was." The music came in. Opening credits.
The
patrons were smiling at Max's return. Doris was nodding, pleased,
eyes still on the set, commenting to a regular at the counter. "I
knew he'd be back."
Garner
turned back to Miranda, watching her eyes, transmitting significance.
"You
know this show?" he asked, voice low.
"Of
course."
"The
actress, who plays Natasha. And the head writer. They're both ours."
He smiled a new smile.
Miranda's
eyes widened.
"Oh.
I see."
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