The
phone rang in the study. It was like a reverse-time anachronism, the
electronic trill out of place inside the wood paneled walls, the
spines of centuries-old books like mummy wrappings, paintings like
oil and canvas skin cells shed by the last millennium's monster. The
threat-sense that death may only be hibernation, the way the room
determined the interpretation of the ringing. It was too potentially
symbolic of futility and the failure of subversion.
Garner
followed Kimberly into the room from the noise of the party, where
Coalesce electronic pop had won the day. "I hate it in here,"
he said.
"Then
get out," she said, waving him away and reaching for the phone.
He smiled sheepishly and exited, the black man in a dark green suit,
moving like a lion moves.
Kimberly,
shoulder-length blond hair with platinum highlights, sun-peached
skin, slim black high-neck and skirt. She tapped the telephone panel
to activate the redundant line encrypt, easing into the padded
leather chair, cordless receiver to her ear. She hated it in here
too, though she wasn't sure why, and hoped that Perdieux would
return, someday, changed, with a desire to redecorate.
"Go
ahead."
She listened and kept her features still, the low and constant terror of never feeling alone.
She listened and kept her features still, the low and constant terror of never feeling alone.
"It's...
No, I understand. Okay, patch me through."
Lights
on the panel flickered. Kimberly relaxed her posture, crossed her
leg.
"Deborah,
you can do this. You're okay, you're breathing. Start there.
"I
want you to describe where you are in psychological terms. No Debbie,
not what happened. Where you are, right now. Yes. Okay. Debbie, you
have to include your breathing in the description, don't you? Right.
That's it. Is there a material door there too? Alright, I want you to
open both doors simultaneously - yes you can, Debbie. There's nothing
in the description that says you can't. And when you do you can stop
describing for me, keep the version you have but listen to me."
Kimberly
uncrossed her leg and straightened in the chair.
"Everything
I say becomes part of the description. Go." Kimberly breathed
into the phone, deep and steady. She flinched at a loud, abrupt sound
that came over the line but breathed evenly.
"'Telepathic
Stereo'... 'On The Orchestra Bleed'..."
Brae
and Miranda came through the door; he was about to ask Kimberly if
everything was okay but stopped, Miranda smiling over her shoulder at
something said in the party. Brae, billboard model good-looking like
they all were, dark hair and light skin, short-sleeve button-down and
dress pants. Miranda, Korean, long hair straight, baggy pants,
Octagon logo red shirt. They were younger than Kimberly and Garner,
more recent.
"'Corner
You'll Get'... 'Insert Plug'..."
Miranda,
reflexively glancing about the room, whispered, "Why is she
listing song titles?"
"It
must be an op," Brae answered quietly, with sympathy.
"Really?"
Miranda's voice rose briefly. "Song titles... Wow, this is
cool."
"Maybe,"
Brae said, waiting. Then, "Maybe you should go back."
Miranda
closed her eyes. "Okay."
"'The
Underside of Water'... Debbie, you'll have to cut the line now.
You're doing great. Yes, you are. Yes, I will."
Brae
circled behind Kimberly, leaned over the chair and wrapped an arm around her
shoulders. She adjusted the phone as she fit into his embrace, the
panel lights flickering.
"I
did what I could," she said into the receiver. "She was
doing well... Yes. Let me know."
She
hung up and rested a moment in Brae's arms. Patted his elbow, stood
up.
"C'mon,"
he said. "Let's go get a drink."
Kimberly
rested a moment in the feeling of saturation, mingled thrill and
fatigue. Looked around the room.
"Yeah, let's get out of here."
"Yeah, let's get out of here."
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